OK, I take back what I said about not being excited about any of the films screened at this year’s Cannes Film Festival, because, the latest movie from Wes Anderson looks totally amazing!
Usually, I’m kind of cautiously excited about a new Wes Anderson flick, but, he’s been on a roll lately with The Darjeeling Limited and the weirdly-wonderful Fantastic Mr. Fox, so, I’m betting Moonrise Kingdom will rock. And if nothing else, it will look cool and have a kick-ass soundtrack. Either way…enjoy!
Wow…it’s been a busy couple of weeks around here. How busy, you ask? So busy that I didn’t have any time to blog about this year’s Cannes Film Festival, which wrapped up Sunday. Yep, I said wrapped up, as in, the festival is over, the jury has gone home and I didn’t mention any of that nerdiness on my blog. Sad, huh?
I dunno if it was the lackluster slate of films in competition or maybe the fact that the star-factor of the jury left me kinda cold — even with Obi Wan himself, Ewan McGregor, on the panel! — but, for some reason, I just wasn’t that jazzed about this year’s fest. No Wong Kar-Wai, no David Lynch, no Woody, no Terrence Malick, hell, I woulda settled for another Tarantino master class, but, nope, not this year.
That said, the official poster for this year’s festival was freaking gorgeous, so, instead of babbling on and on about the films and filmmakers in attendance, this time, I’ll simply post the poster here instead. Enjoy!
While several of the key categories are still up in the air, there is one sure bet at the Academy Awards this Sunday, and that is that Woody Allen — the most nominated writer in Oscar history with a whopping 15 writing nominations alone! — will collect his fourth career Oscar for writing Midnight in Paris. That’s right, amigos, the Woodman is back!
And if there was any doubt about it, I’d say Allen’s Best Original Screenplay win at Sunday night’s WGA Awards pretty much sealed the deal. Beating out such worth contenders as Diablo Cody’s wicked-good script for Young Adult and Tom McCarthy and Joe Tiboni’s amazing work on Win Win, Allen took home his fifth WGA Award for Midnight this past weekend.
As you know, I’m a HUGE Woody Allen fan, so, I’m very excited for him, even though Midnight was not my favorite of his movies (I voted for Young Adult), it was cute and fun and fluffy, but, at the end of the day, he’s done magical realism better in The Purple Rose of Cairo, Alice and even Broadway Danny Rose. That said, as a lifelong fan, it is really cool to see a Woody Allen movie nominated for writing, directing, and best picture again.
So, good on you, Woody. I look forward to seeing who picks up your Oscar for you this year! Kudos also to Alexander Payne and his co-writers Nat Faxon and Jim Nash for winning the WGA’s Best Adapted Screenplay award for their stellar work on The Descendants. That one I did vote for!
To see a list of all this year’s WGA Award Winners, click here.
Alright, I admit it, I’m too lazy to cut and paste the blog post I just wrote about this year’s Oscar Nominations on my other blog here. Sorry, I’m just too tired, and until WordPress re-instates the blog-sharing feature, I’m gonna have to just leave you with a link. So, if you wanna read what I think about this morning’s Oscar nominations (Yay, Gary Oldman! Boo, “The Ides of March” and “Margin Call”!) you’re gonna have to click here now.
See ya on the other side, amigos…
I don’t normally stay up to watch the live broadcast of the SAG Award Nominations, but, was up anyway wrapping Christmas presents and dealing with a sick baby, so…I watched. And, well, it was kind of a snooze. No real big surprises. No gasping from the audience (or me, for that matter), just kind of the usual suspects at this point.
I’m not saying the nominees aren’t deserving, because they totally are — especially the cast nominations for “The Descendents”, “Bridesmaids” and “Midnight In Paris” — but I was a bit disappointed to see Charlize Theron overlooked for her stellar work in “Young Adult” and the same goes for Maria Bello’s incendiary performance on NBC’s recently-shelved “Prime Suspect”. Those are two of the best performances of the year in my book, and I was bummed to see them both overlooked by SAG.
But, hey, there’s always the Golden Globe nominations on Thursday. And you know those crazy foreign press guys love hot blonde chicks, so…I’m betting they both get a lot more love then. At least they’d better!
To see the full list of SAG Award Nominees, click here.
OK, hold on a minute, I might have to reverse my decision on one of George Lucas’ “tweaks” to the “Star Wars” films for their Blu-Ray debut. I actually think the new CGI Yoda in “The Phantom Menace” is a huge improvement over the dead-eyed, Cracked-out Yoda puppet that originally appeared in the film. I mean, seriously, what is wrong with that f-ing puppet, man? Yikes…he musta scared the freaking midi-chlorians outta little Anakin!
So, you win this round, Mr. Lucas, but, I still ain’t buying all those damn Blu-Rays till they go on sale. Or, you know, someone like my talented and lovely wife gifts them to me for Christmas…